"Adagio" and "El Barrio" As "Adagio" started I was suspicious. I had heard several other "orchestral sounding" snippets in the previous cuts and disks and was wondering whether this was "live or Roland". Discovering that it was a movie soundtrack reassured me. Movie scores aren't "real" symphonic recordings because of their symbiosis with the moving image. I hear a lot of experience in this assemblage. To take channels from instruments in different rooms and blend them like this takes talent and practice. "It Couldn't Be True" This is a single tracked (all by one person) cut with a good engineer behind it. I don't know that I could tell you without having read the notes, but I think I hear the analog tape in this one. It has that glue.